The California Bluegrass Association presents...

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Workshops and Hosted Jams
Included with the All Access Wristband

Workshops

Bluegrass banjo, standard instrumental and sundry enhancements – Julio Boysenberry

Walking Bass – 4 beats to the bar on some simple jazz, country and swing tunes
Lisa Burns

Bluegrass Fiddle
Annie Staninec and Dennis Fetchet

3-Part Bluegrass Harmony – A Guided Practice
Maureen “Mo” Blumenthal

Guitar – Intro to Flatpicking Guitar in Five Steps
Tyler Grant

Learn an Old-time Fiddle Tune
Geff and Masha Crawford

Mandolin, An Introduction to Bill Monroe Style
Ken Smith

Welcome to Bluegrass Gospel
Sandy DeVera

New This year:  Barn Dance/ Square Dance, added to the Friday Night Program

Hosted Jams

Friendly Old-time Jam
Geff & Masha Crawford

Gospel Jams
Sandy DeVera

Slow Jam
Julio Boysenberry

Traditional Bluegrass Jam
Tyler Grant

Band Scramble

The Band Scramble is Back!

We had so much fun last year, we’re bringing it back.  Put your name in the bucket corresponding to your instrument and be matched up at random with other musicians. After a few hours’ practice, you’ll perform on the ballroom stage to open the Friday night concert program.

Workshops and Presenters

Bluegrass banjo – standard instrumental and sundry enhancements –  Julio Boysenberry

Julio Boysenberry sits on a chair holding a banjo in a casual indoor setting.Julio Boysenberry is a treasured mainstay of the Bakersfield Great 48. A credentialed teacher, Julio teaches Scruggs, Reno, Adcock, Stanley, & Bill Keith styles. He has led slow jam sessions and done numerous banjo workshops at the Parkfield Bluegrass Festival as well as at the Great 48.

Workshop – Bluegrass “standard” instrumental and sundry enhancements; it will feature easing the beginner into some melodic style licks incorporated into standard 3-finger picking.
Julio shall once again be offering totally free 3-finger style banjo lessons to all comers.  No time limits. 

Bluegrass Fiddle Workshop – Annie Staninec and Dennis Fetchet

Two people playing violins in a music group setting with an audience in front of them.Come join us for some bluegrass fiddle fun! We’ll explore solo construction, backup licks (ie ‘fills’), and twin fiddling. This is a hands on workshop so bring your fiddles, or feel free to just sit in and listen! All levels are welcome – we’ll be touching on several topics and levels with the hope everyone will walk away with a useful new trick or concept. We’ll be doing some learning and practicing along with some breaks so we can share and play some fun twin tunes for y’all.

Annie makes her living performing, teaching, and recording bluegrass fiddle. She has taught at many camps around the country including CBA Music Camp, Kaufman Kamp, Sore Fingers, and Rockygrass Academy. She is a full-time member of the Kathy Kallick Band and Whiskey Deaf, and has toured with numerous other bands including John Reischman & the Jaybirds and Molly Tuttle. And yes, she has toured throughout the US and Europe with Rock Star Rod Stewart!

Dennis has been an icon in the SoCal bluegrass community since the early 1970’s and has played in numerous bands including the Wild Hickory Nuts, Bluegrass Cardinals, Byron Berline’s LA Fiddle Band, Hoyt Axton, and a full-time 25-year stint with Billy Hill & The Hillbillies at Disneyland. He was inducted into the International Bluegrass Music Hall Of Fame along with the Bluegrass Cardinals in 2025.

Photo by David K. Cupp

3-Part Bluegrass Harmony, A Guided Practice – Maureen “Mo” Blumenthal

A person with gray hair and glasses smiles at the camera, seated on a couch with patterned curtains in the background.Maureen “Mo” Blumenthal fell in love with the hair-raising sound of tightly-stacked 3-part bluegrass harmonies in the 1970s from records and listening to bands play at Paul’s Saloon in San Francisco. A bit of a wallflower, she was much too shy to play with others until the Obama Administration. As a late-blooming, modestly talented instrumentalist, she has found that her superpowers are remembering the choruses of MANY bluegrass standards and easily finding tenor and baritone parts on the fly.

If you’d like to hone your harmony skills, come to this guided practice and Mo will give you some tips to help find your parts. She’ll start with a simple song with simple harmonies, but if there’s time we’ll do a few other songs of your choice, as long as they are bluegrass standards you know by heart and have a 3-part chorus most people would know. We’ll dig into the harmonies from there.

Walking Bass – 4 beats to the bar on some simple jazz, country and swing tunes
Lisa Burns

Lisa Burns

Walking Bass – 4 beats to the bar on some simple jazz, country and swing tunes.  I can’t wait to start dancing!

Lisa Burns has been playing and singing for as long as she can remember. She took up the guitar at age 12 but when she started studying upright bass in 1994 she found her true calling. Lisa has studied bass with Jim Edwards, Cindy Browne, Seward McCain, Dan Robbins and Jim Kerwin.

Lisa performs with Sidesaddle & Co, The Goat Hill Girls and The Tiki Tones

 

Guitar – Intro to Flatpicking Guitar in Five Steps – Tyler Grant

A person with a beard stands outdoors, holding an acoustic guitar in front of a background of tall cacti.Tyler Grant, National Flatpicking Champion, renowned guitarist, singer, educator, and songwriter. Many Great 48 jammers know Tyler from his YouTube and Facebook livestreams “Tyler Grant’s Playalong Bluegrass Jams” with over 230 archived videos of slow, mid-tempo, and fast jams for practice at home.

Tyler’s thirty-year music career started when he toured with Abigail Washburn, Adrian Young & Little Sadie, and April Verch. He then joined the Drew Emmitt Band, which evolved into the Emmitt/Nershi Band. After seven years in Nashville, TN, he moved to Colorado to found the Cosmic Americana band Grant Farm® in 2010. After five albums, and hundreds of concerts and festivals, the band sought new directions during the “Great Pause” of 2020.

Those new directions included Tyler becoming a river rafting guide and hosting musical raft adventures which have inspired his upcoming solo release, The Flatpicker. When not on the road, the stage, or the river, Tyler keeps up with students on ArtistWorks and TrueFire. Tyler spends most of his time in Colorado and California, searching for that perfect combination of song and story.

Photo by Jessie Bell Photography

Learn an Old-time Fiddle Tune – Geff and Masha Crawford

Masha and Geff

 Learn an Old-time Fiddle Tune

Learn an old-time Appalachian-style tune on fiddle or clawhammer banjo. (Banjos please bring capo & tuner. Guitar, mando, bass, etc also welcome.) Geff & Masha Crawford teaching.

Friendly Old-time Jam

Join Geff & Masha Crawford to play some familiar old-time Appalachian-style fiddle & banjo tunes at a friendly pace. We’ll all play together, no solos, everyone welcome.

Square Dance, Barn Dance, Everybody Dance! – added to the Friday night program!
Come join us for old-time music and good-time barn dancing! No fancy steps, just good fun. Caller Masha Goodman Crawford will lead the way, and Geff Crawford will lead the band. No experience necessary, Everyone is welcome! Be there *and* be square!
We’re thrilled to welcome Geff and Masha Crawford back again to head up our old-time program. You may have enjoyed their friendly, welcoming teaching style at the CBA Music Camp in Grass Valley where they’ve taught for many years. And this year they’ll be bringing barn dancing to the Great 48 ~ EVERYONE is welcome, no experience necessary, it’s a barn dance party!
Both Geff & Masha have decades of experience playing, teaching, & performing. They’ve shared stages, tunes, friendship, & laughter with folks like Peggy Seeger, Tom Paley, Byron Berline, Frank George, Walt Koken, Rhys Jones, and others. They perform as the duo “Old Soles” and in several different bands, and Masha is a well-known barn dance caller with almost 50 years of experience. Join them for some good-time old-time tunes and laughter!

~ facebook.com/oldsoles

Mandolin, An Introduction to Bill Monroe Style – Ken Smith 

A man wearing a cowboy hat and brown shirt plays a mandolin in front of a microphone in a room with musical equipment and large windows. Ken first got a taste of bluegrass through the country rock sounds of Northern California bands like New Riders of the Purple Sage and The Byrds’ Sweetheart of the Rodeo. While attending college at Ozark Bible College in Joplin, Missouri, he picked up the mandolin alongside guitar and fiddle, eventually forming a bluegrass band of his own. After college, Ken returned to the Bay Area and became involved in the local bluegrass scene enjoying the sounds of High Country and Good Old Persons. In the early 1990s, he played mandolin with the Avocado Brothers, one of many bands that was part of the region’s growing bluegrass movement. Today, he continues to perform with bluegrass and Western swing groups across the San Francisco Bay Area.

In this workshop, Ken will introduce players to the mandolin style of Bill Monroe, exploring techniques, phrasing, and rhythm patterns that define Monroe’s influential sound. Participants will learn how to bring these classic bluegrass elements into their own playing—no matter their experience level.

Welcome to Bluegrass Gospel Workshop & Jams
– Sandy DeVera

A woman with gray hair and glasses, wearing a name tag that says Bakersfield resident, Sandy DeVera invites you to come make a joyful noise at the Great 48 Gospel Jam. All instrument levels, all faiths, all ages may play, sing, or just enjoy music that focuses on “good news” in a weary world. Whether it is a Welcome to Bluegrass Gospel workshop, or the Sunday morning Great 48 Gospel Jam, Sandy and friends will teach you some classic bluegrass Gospel songs, a few fun facts about the history of Gospel music, and how to find (or start) a Gospel jam where you Live.

A group of people sit in a circle playing guitars and a banjo indoors. A man with grey hair plays the banjo while a blonde person plays the guitar. Everyone appears to be focused on the music.

Wernick Method Bluegrass Jamming class

ONE, three-hour Wernick Method Jam Class will be offered THREE times.
$60 per session (not included with the all-access wristband)

Take any of the sessions and in three hours you will learn basic jam etiquette. how to join a bluegrass jam, how to take solos in a jam and how to sing with a jam. You will have plenty of practice time with personalized coaching to get you “making music with friends, and friends with music.”

Multiple jamming opportunities exist throughout the Bakersfield Great 48 so you can go from class directly to jamming!

Each class is limited in size to provide personalized coaching. Register early! Class fee per person is $60.

 

Spaces limited so register early!​

For more info, contact Mike Thomas 703-727-8491, Banjoworx@gmail.com.