It is Tuesday and I need a welcome column by Thursday morning. Even at this late to my deadline date I’m not sure what I am going to write about. This will be my 36th column and I have never missed a deadline although there are some months when I’ve done a better job than others.
So I sit down to get started writing but in my normal procrastination routine, I decide to go surfing first. Obviously not the surfboard and the ice cold water kind but the kind with the keyboard and monitor. I surf all my normal spots, email, Facebook, Yahoo, check for hits on my band’s web page and finally the CBA website. On the top of “News” column on the left side, I spy the name Edgar. A click on that and then I am an hour and a half down the road (I watched them more than once). For those that haven’t had the chance, please do yourself a favor and go to the archives and go back a couple of days and click on Edgar. It takes you Bluegrass Situation article that is in honor of Edgar Meyer‘s 54th birthday and has links to six videos of Edgar playing the bass, some solo pieces and some with an all-star group of collaborators. Anyhow thanks to Rick, I found my hook for today. It must be editor or webmaster intuition. Good news for me but for you it means I’ll be talking about bass playing again.
Listening to Edgar play is both very humbling and very inspiring. It’s all about the groove. Whether he was playing solo or with others there is always the groove. I am not a good enough writer or musician to describe it but fortunately I am in tune enough to hear and more importantly feel it. The one with Bela called “B’ song is all outside the lines but the groove is there.
My favorite video was the collaboration with another of my favorite bassists Victor Wooten. This video has a bass solo performance, on one bass, shared by these two masters of the instrument. They play two on the bass and also switch off playing without dropping the groove and they are obviously having fun. I posted this one on my Facebook page.
Getting back to the illusive groove, I’m always chasing it and actually find it on occasion and when I do I remember why I play the bass. When you have a good groove, all the music comes together. The leads are better and the fills are hot.
In getting to the groove, I’m not sure where talent and nature take over from the hard work and practice on the bass. It is an age-old question that I think answers itself. Could I practice enough to be able to play like Edgar Meyer? What is enough and how far back in the time machine do I need to go in order to have that much time?
The answer from my perspective is that, most assuredly, I don’t have the talent that Edgar has and I believe that part of that talent is a different level of love of the instrument above all other things in his life that give him the motivation and freedom to put the extraordinary amount of time necessary to play like that.
A friend of mine who is a very accomplished jazz bass player in the bay area told me that the first time he saw Edgar Meyer live he didn’t know if he should go home and practice more or burn his bass.
I’m keeping this all about the bass (sic) but I’m sure it is the same for all instruments. The talent of the top musicians is very evident and that includes the work developing the talent.
So what do we do? We can’t go back and claim all that missed practice time but if we can draw on the inspiration of the Meyers, Flecks, Grismans, Bushes, Thiles, Rices and others, we can find the freedom and enjoyment to put more quality time in on our instruments.
Works for me. I’m off to the woodshed to work on my chops so that the next time I play out, I’ll be ready to find the groove.